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MASAAN |
Artist - Richa Chaddha, Vicky Kaushal, Shweta Tripathi, Sanjay Mishra, Saurabh Chaudhary, Bhagwan Tiwari, Vineet Kumar.
Director - Neeraj Ghavan
Movie Type - Drama
Duration - 1 hour 49 minutes
Story: Devi Pathak (Richa) goes with her close friend Piyush Agrawal (Saurabh Chaudhari). In the hotel room, they make connections with each other. Then there the police conduct raids. Piyush is very nervous. The fear of the family's dignity and dignity of the society scares him something that tries to commit suicide by cutting his wrist in the bathroom itself. He dies in the hospital and blackmailing his father Vidyadhar Pathak (Sanjay Mishra) by threatening to seduce corrupt police inspector Mishra (Lord Tiwari) to death of Piyush's death. On the ghat of Banaras, Rakarmakandi promises to give three lakh rupees to Inspector Mishra to save the respect of his daughter and family in Pandit Vidyadhar society. With this story, the love story of the family of Deepak Chaudhary (Vicky Kaushal) and Shalu Gupta (Shweta Tripathy), a young man of the family who was involved in the funeral of the ghats on the ghats, also walks with this story. Deepak is a young man of today's generation, his dream of doing a good job by studying civil engineering is his dream. There are many twists in the love-story of Shalu and Deepak, where both of them have to test their love.
Acting: Among the characters of Devi Pathak, Deepak Chaudhary and Shalu Gupta, Richa Chadha, Vicky Kaushal, and Shweta Tripathi have made their characters live. The best part of the film is that every actor in the film is seen in front of the camera instead of acting in his role. From Sanjay Mishra to budding Vicky Kaushal and Shweta Tripathi, all are awesome in their character. In the role of Devi Pathak, Richa has once again proved that if she has a temperament in her character, then she has the power to take her from her acting to the summit.
Direction: Director Neeraj Gehwan has shown the events falling near the city of Banaras and Ganga coast. Sanjay Mishra and Richa Chadha have shot many awesome scenes In addition to the location of Benaras, Neeraj has brought the scenes of the crematorium to the screen with full sincerity. Many scenes in the movie keep your eyes moist.
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ANDHADHUN |
Artist- Ayushman Khurana, Tabu, Radhika Apte
Director-Shriram Raghavan
Movie type - Thriller, Romance, Comedy
Duration - 2 hours 14 minutes
Directed by Shriram Raghavan's this film is full of Suspense. The film is not surprisingly well-timed by its story but not many times. The movie is based on a thriller story. In which Ayushman Khurana Tabu has kept the suspense best. At the same time, Radhika Apte's role in the film has been reduced. But in the film, he has proved to be successful in quitting the effect of his acting. In the story of the film, the blind sky (Ayushman Khurana) is a pianist. Who lives in Pune. They meet with Sophie (Radhika Apte) suddenly. Sophie lets the sky work in the restaurant of her father. This is why the sky collides with old-fashioned actor Pramod Sinha. Who calls his wife Simi (Tabu) the sky home to give surprise to the piano on the wedding anniversary. In the meantime, there are tremendous tweets and turns in the story and the story completely takes another form.
The first half of the film is so great that you will not even have time to blink. In this movie, you will find a lot of thrillers, suspense, twist, and comedy. Songs in the film will continue with the film. Because of which you will not know when the song came in the film and when it was gone. We give 70% of our movie according to the meter.
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LOOTERA |
Artist - Sonakshi Sinha, Ranveer Singh, Vikrant Massey, Shireen Guha, Arif Zakaria, Divya Dutta
Director - Vikramaditya Motwani
Movie Type Romance duration 2 hours 24 minutes
After Udan, Vikramaditya Motwani had hoped for good cinema and fulfilled the expectations in 'Lootera'. The O'Hannery's story 'The Last Leaf' gave the touch to make it a living, and on the strength of its superb presentation, Vikram made it worth watching 'Lootera'.
The director is dominated throughout the film. They did not let other things dominate and kept their hold. Many times the story eats hichkolas, but Vikramaditya has taken these shocks well.
The story is set in the 1950s. The landlord of Manikpur is sad. He tells a common man that freedom has brought happiness to you, but our life has got spoiled. The government has started taking land and valuables from the landlords. Their suppression is being eliminated. Many people are taking advantage of this and the government officers are cleaning hands on the landlords' merchandise. In Manikpur, the officer of the Department of Antiquity, Varun Shrivastav arrives. Accepts digging around the temple of the landlord. He says that there is no civilization buried in here. The young man becomes influenced by young Varun. Trusting also gives permission.
Zamindar Babu's life lies in his daughter Pakhi. Varuna's magic also goes on walking. The combination of learning and learning of both paints increases and they come closer. But Varun's real face and name are not those who understood Pakhi and Zamindar babu. That's what a twist comes up. Pekhi and Zamindar Babu's senses fly away.' Lootera' is a slow film. There is a kind of stoppage in it. Start looking sluggish for a few minutes, but as soon as you adjust to the speed of the film, the film starts to feel good.
The film is shifted to Dalhousie in the second half, but here it seems a bit longer, but it has been handled through a splendid climax. Sonakshi Sinha's role becomes very important in the second half.He loves Varun so much that he does not hand over the deception to him and the police even after his father's death. He does not understand why he is doing this. Actually, he goes to such a height in love that forgives his lover for every crime.
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GAME OVER |
Artist: Tapsi Pannu, Vinodini Vaidyanathan etc.
Director: Ashwin Sharavanan.
Producer: Y not Studios, Reliance Entertainment.
The makers of Hindi films were specialized in the game and now the South people have also been subjected to it. This is the habit of capturing the brilliance of his film before the film's release. Earlier, these workers used to be the star cast of stars working in the film, and now this story has become commonplace. Prior to the press show of the movie game over, the filmmaker made so much tweet in response to the film that whenever the boredom felt while watching the film, these tweets were remembered.
Well, it's all about the freedom to sell and market your product. Why remain untouched by the same movies. Amitabh Bachchan's film is a magnificent dialogue of Shan, 'I always hit and die in the house.' Entry into the house is also a great genre of cinema. Ram Gopal Varma also presented the best specimen in the film Kya. Try it also in the game over. The problem is that women do not have any other way of horror than being frightened, running away from the dark, surrounded by some unknown fear. And, this is exactly the opposite of the person of Tapsi Pannu.
The identity of Tapsi Pannu in Hindi cinema is so different that his fans see him as a daring woman. The film also flashes on the image of Tapasi made from the sun and the capitals. Next, the obstacle of the eye is also seen in the film. Game over is not a horror movie nor a psychological thriller. It is such experience between the two, in which every fifth scene opens the fifth thread of the story. Who is the spider in the film spread over the spider's web and flies hanging on the net, who keeps on fixing this whole film.
The story is of Gurugram. Cutting the head of a girl living alone in the house, someone kicks in the goalpost of a football and kicks it like a ball. Keep the body on the chair and burn it. This is the preface of the movie. And, then the curly hairy Tapasi appears. Do jogging. It does not seem to be scared of anything. The tragedy of the past is following him. The solution of someone's bones in the tattoo's ink is making him crazy. And, real-life incidents like video games are trying to eliminate their remaining lifelines.
This second film of Ashwin Shravanan's career wants a new classification by removing a little from the new genre of horror films that flourish in South. Since the film is not originally made in Hindi, the dialogues of artists seem a little upset in close up. Vinodini's dubbing has been done by an inefficient dubbing artist who does not understand the emotions of Seen, the sound is not even according to age.
The height of the movie game starts at the height of the graph director can not be retained. The matter remains confused till the interval, and then when the problem starts, it is too late. If you want to watch the film, then you can only watch for the performance of Tapi Pannu. It is not easy to take a moment to change the changing moment of your face. There is something special in the rest of the film. Amar Ujala's Weekly movie review brings two stars to the movie.
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PHOTOGRAPH |
Director: Ritesh Batra
Cast: Nawazuddin Siddiqui, Sanya Malhotra, Farrukh Jaffer, Vijay Raj
Duration - 1 hour 51 minutes 10 seconds
Director Ritesh Batra, in his first film, showed how the relationship was created through the 'Lunchbox'. In the photograph, he added relationships through photos. The food in the movie 'Lunchbox' was the smell, but 'Photograph' is just a plain film. It says that a photo says a thousand words, but this thing is missing in the photograph. Rafi (Nawazuddin Siddiq) draws photos with money from people who visit the Gateway of India. One day she takes a photo of Miloni (Sanya Malhotra), but Miloni gets paid and goes without taking photos. Rafi's grandmother is behind her marriage. Photo of Miloni Rafi sends his grandmother to the village by writing this that she has found this girl named Nouri. As soon as this news comes, grandma comes to Mumbai immediately. Rafi, trapped in trouble, convinces Miloni that she meets her grandmother. Do you know grandma reality? Do Rafi and Miloni really want each other? As the film ends with answers to questions.This story has been presented by Ritesh Batra in his own style. He has shown Mumbai on screen in a different way. He showed the academic and economic difference between Rafi and Miloni. It has also been shown that Milony did not get the love that Rafi and his grandmother received from their family, but the weaknesses of the story periodically clear the film's merits by coming to the surface. Miloni has shown a very low-spoken and shy girl. The key question arises that why does Milini agree to meet her grandmother at the behest of Rafi? Why does he pretend to be Rafi's girlfriend? There is a lot of difference between Rafi and his age. Miloni's parents reduce her talk, but there is no pressure on her. Why does Miloni behave like this? All these questions are troubling when watching the film. Ritesh Batra has tried to hide these things with his directive skills. He has shot a film on Real Space, which also has an impact on the film. There is little use of background music, which makes the film special. The role of Miloni and Rafi also worked very hard. Although some shots are too long and some non-essentials too. The film's duration is less than two hours, but the film progresses at such a slow pace that this period is also very highNawazuddin Siddiqui did not come in the role. He repeats the same Rafi as his role of acting. Sanyas Malhotra played the role of a less spoken and lost girl in her. Farrukh Jaffer's acting as grandmother is the best, though the director has used them a bit more. Overall, the lunch box with the magic box is not visible in the photograph.
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